In the Ars Electronica Newcastle Garden 2020, an interdisciplinary community of artists join forces to explore the nexus of virtual art, experimental sound and artist-made technology

Novocastrian 2050: Ecosystem Reboot

Newcastle is a city at the crossroads of ecology and technology, where an industrial infrastructure gives way to a vibrant culture of artistic experimentation. In the Ars Electronica Newcastle Garden, an interdisciplinary community of artists led by Kristefan Minski join forces to explore the nexus of virtual art, experimental sound and artist-made technology. In this hybrid spirit, we weave together bespoke handmade electronica, experimental software, and emergent audio-visual phenomena, in performances that generate a virtual space that is profoundly in resonance with the Post-Anthroposcenic materiality of Newcastle. Following on from Australian-Italian thinker Rosi Braidotti, Post-Anthroposcenic thinking proposes that in order to live sustainably on Planet Earth, we must balance human well-being with care for the environment, and of course respect Indigenous thinking and models of ecological care. This project is has received kind support from Profs Paul Egglestone and Mario Minichiello at FASTlab, the School of Creative Industries, University of Newcastle.

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Human vs Machine by Ralph Kenke (DE)

Human vs Machine by Ralph Kenke (DE)

Contact Zone by Rewa Wright (NZ) credit: Charu Maithani

Contact Zone by Rewa Wright (NZ) credit: Charu Maithani

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